Aaj Ki Raat Hona Hai Kya Lyrics

Dreams On Fire Lyrics

Jai Ho Aaja Aaja Jind Shamiyane Lyrics

Paper Planes  DFA Remix Lyrics

Paper Planes Lyrics

Ring Ring Ringa  Lyrics

more at Slumdog Millionaire Lyrics

Director: Danny Boyle, Loveleen Tandan

Producer: Christian Colson

Music Director: A.R. Rehman

Cast: Dev Patel, Anil Kapoor, Irfan Khan, Madhur Mittal, Freida Pinto, Saurabh Shukla, Tanay Chheda, Tanvi Ganesh Lonkar, Ashutosh Lobo Gajiwala, Ayush Mahesh Khedekar

Year: 2008

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01. Aaj Ki Raat - Slumdog Millionaire

02. Dreams On Fire - Slumdog Millionaire

03. Gangsta Blues - Slumdog Millionaire

04. Jai Ho - Slumdog Millionaire

05. Latiqa’a Theme - Slumdog Millionaire

06. Latiqa’a Theme - Slumdog Millionaire

07. Mausam & Escape - Slumdog Millionaire

08. Millionaire - Slumdog Millionaire

09. O..Saya - Slumdog Millionaire

10. Paper Planes - Slumdog Millionaire

11. Paper Planes (DFA Remix) - Slumdog Millionaire

12. Riots - Slumdog Millionaire

13. Ringa Ringa - Slumdog Millionaire

Slumdog Millionaire Lyrics

Rarely, if ever, does the Western world catch a glimpse into the beauty and majesty of such a dynamic city as Mumbai. Danny Boyle’s “Slumdog Millionaire” hits the ground running. This is a breathless, exciting story, heartbreaking and exhilarating at the same time.

Simon Beautoy’s script, based on Vikas Swarup’s novel, “Q&A,” touches on the life of Jamal Malik (Dev Patel), an impoverished orphan raised in the slums of Mumbai, who unexpectedly reaches the Rs. 20 Million question on India’s version of Who Wants To Be A Millionaire. Accused of cheating, he defends himself against the authorities by narrating his life on the streets – a sequence of mesmerizing tales which hold the key to all his right answers.

The film stars newcomer Dev Patel and model turned actress Freida Pinto along with Anil Kapoor and Irfan Khan. A.R Rahman provides the music and boy it is sensational.
O…Saya is an electrifying detonation of sound and style. Filled with some riveting electronic tones, Rahman ups the tempo with a breath-taking drumming performance that
features throughout the backdrops of this flashy and rhythmic track. Also featuring international biggie M.I.A this song takes the cake.In Ringa Ringa Rahman infuses the number with a sultry blend of old and new elements, couples it with an alluring melody, and ultimately creates a unique sound that is both traditional and progressive simultaneously. Alka Yagnik’s vocals and Raqib Alam’s lyrics culminate the musical trinity of the track with class.

Next up is the absolutely gorgeous Dreams On Fire, and just like all the other pieces of Slumdog Millionaire, Rahman has provided a steady blend of east and west – a phenomenon that gives the music its universal textures and borderless emotions. Blaaze and Wendy Parr provide awe inspiring lyrics and Suzanne D’Mello’s vocals grab your heart’s cockles.

Jai Ho is an out-and-out dance track and passes with flying colors thanks to the breezy melodic riffs and trans-genre feel in the arrangements, enabling the song to take you wherever you want it to! Sukhwinder Singh and Tanvi Shah provide some awesome vocals backed by Gulzar’s lyrics.

Riots marks the beginning of a series of powerful and vigorous thematic pieces by Rahman. While the piece is fairly short, it packs a mighty punch.Mausam & Escape is the best thematic instrumental on the lot! Rahman simply shows off as programmer. He synthesizes a mesmerizingly wicked aura of sound that explodes all over you!
The enticing guitars, the heart-pounding bass lines, thrilling sitar plucks, the soul-thumping synths and the haunting orchestral strings bring out the goose bumps.
Liquid Dance has Rahman’s orchestral strings that give the piece a hauntingly unique signature. Apart from using some very cool new sounds and effects, Rahman once again blends east and west.Latika’s Theme is the instrumental of the very soulful “Dreams On Fire.” However, Rahman realizes that the beauty of the original song lies within the melodic power and vocal gentleness. Ultimately, it is the sweetest of musical fragrances.
Millionaire is perhaps the one and only track that sounds conventional in its production and overall treatment. It is another fast-tempo background piece filled with thumps of bass and panning synths.

In Gangsta Blues Rahman lays the cement with a Techno-esque hip-hop rhythm, while also adding some Jazz elements, including some Blues organ sounds. Blaaze struts his stuff with a relaxed reggae ‘n’ rap rendition alongside Tanvi Shah and the end result of which is pure entertainment!

SLUMDOG MILLIONAIRE’S music is a brilliant landscape of cultural textures, global sounds, and cross-genre transformations. You would be a complete idiot to give this album a miss!

Slumdog Millionaire Lyrics
Slumdog Millionaire Soundtrack

Slumdog Millionaire is the latest effort by director Danny Boyle, a man who never seems content to stick to one genre. His recent work spans science fiction (Sunshine), fantasy/drama (Millions), and horror (28 Days Later). Well, I guess Slumdog Millionaire could exist in the same genre as Millions, but they both approach the material from vastly
different directions. The earlier film follows a young boy who has conversations with saints as he tries to do the right thing with a large sum of money that has literally fallen into his lap. This new film involves millions in money, but is much more about fate, destiny, and love.

Going into Slumdog Millionaire I had heard all sorts of good things. I successfully avoided any real details aside from the obvious Who Wants to be a Millionaire? connection. So in I went, ready to see if the experience lived up to the hype that has been building around it. The lights went down, the screen flickered to life, and then, in the blink of an eye, it was over. Two hours had passed in what seemed like a much shorter time. There was a cheerful smile plastered across my face and I felt better having seen what had just flashed before my eyes.

What I found most amazing about this movie is how conventional the plot is. There is nothing particularly special about the story nor about the linear fashion in which it plays out. In that sense it is not a great film. However, despite the standard romantic drama tropes danced out onto the screen in that linear fashion it is a great film. Why is it a great film? Well, there is a subjective question. There is no easy way to explain this. For one there is a great energy and explosiveness to the tale, it is in constant motion. There is the emotionally charged relationship of the central characters, and the beauty of fantasy as fate plays out on the screen.

Something that I have noticed over the years and have seen discussed a few times is the increasing number of films that have super-serious and/or depressing subject matter that receive critical acclaim while the number of feel good movies are either relegated to family viewing or ignored by the critical community at large. It may be an over-generalization, but it seems to be at least a little accurate. The movies that tend to get the critic community buzzing are usually thoughtful, introspective films with plenty of tragedy that remain with you long after the credits end. Just take a look at films like Million Dollar Baby, Brokeback Mountain, Crash, Babel, Munich, Mystic River… heck, even

The Dark Knight. There are not as many films that will leave you smiling. It is this that helps make Slumdog Millionaire stand out. It is a movie that will definitely draw you in, make you smile, and give you just a little bit of fantastical, romantic hope.

The story is a simple one and it is pretty clearly laid out in the trailer. A young Indian named Jamal (Dev Patel) goes on the Hindi version of Who Wants to Be a Millionaire? and gets farther than anyone ever has. It is a surprising feat considering he is an orphan from
the slums of Mumbai and has no formal education. Just before going to the final question time runs out and they break for the night. Jamal is arrested on suspicion of cheating. He is taken to the police station and tortured under orders of the Police Inspector (Irrfan
Khan), but he doesn’t break. What follows is a series of flashbacks cutting between the police questioning, the next question on the game show, and the particular time earlier in Jamal’s life that gave him the knowledge/guidance needed to answer the question correctly.

That sets up the way the story is told, but there is much more to it. The flashbacks take us through Jamal’s tumultuous life. He is born through hardship and grows up through hardship but never seems to be of hardship. We go on the adventures of his life with his brother, Salim (Madhur Mittal). They hustle on trains for food, they hustle at the five star hotel we know as the Taj Mahal, they are forced to work for the Fagin-like Maman who forces kids to work the streets, even going so far as to blind them, knowing that blind children can make more money. All told, it is not an easy life. But Jamal never lets it get him down, he just keeps moving forward.

Through it all, there is one thing that keeps Jamal going above all else — that is his love for Latika (Freida Pinto). They first meet as young children and throughout their young lives, they cross paths only to be torn away from each other again. Jamal believes it is his destiny to be with her, and all of his actions are dictated by his desire to find her and be with her.

It is a beautiful story told in a visually exciting manner and told by a cast of wonderful young actors. The story is exciting, involving, and I felt myself drawn in. I was completely invested in the outcome. I longed to see the two reunited and was heartbroken as
life ripped them apart. Then there are the developments in his relationship with his brother — you can feel the love, but they are on decidedly different life paths.

As involving as the story is, as good as the acting is, there is something else that needs be mentioned — the setting. Obviously, it is set in Mumbai and that setting brings with it a distinctly exotic flavor not often seen on American screens. Yes, this is window dressing, but it does open a window into another culture, one that is growing and developing faster than anything seen here in the United States. The colors, the class interaction, the rampant poverty, it is all just fascinating to see how life moves on different level. On top of that, the film is shot wonderfully by director Danny Boyle and director of photography Anthony Dod Mantle. There is a loose quality that helps amp up the energy used in concert with interesting angles that are subtle, yet add so much to the overall feel of the movie.

Simply put, this is a wonderful movie that injects a little bit of magic back into the cinema. This is not about reality (although there is a lot of it here), it is about fate and destiny and the way everything can align in just the right way. It is a visual and emotional journey that is built off a script by Simon Beaufoy, based on the novel by Vikas Swarup (called Q & A). It is an experience not to be missed. Not to mention, it ends withBollywood stlye dance sequence!
Slumdog Millionaire Lyrics
Slumdog Millionaire Soundtrack

Aye Bachchu Lyrics
Behka Main Behka Lyrics
Guzarish Lyrics
Kaise Mujhe Tum Mil Gayi Lyrics
Latoo Mein Latoo Us Pe Latoo Lyrics

Source – Ghajini Hindi Lyrics

01. Guzarish – Javed Ali, Sonu Nigam
02. Aye Bachchu – Suzanne
03. Kaise Mujhe – Benny Dayal, Shreya Ghoshal
04. Behka – Karthik
05. Latoo – Shreya Ghoshal
06. Kaise Mujhe [Instrumental] – Instrumental

Ghajini Lyrics

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Ghajini Lyrics
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Ghajini Lyrics
Download Ghajini MP3 Songs

The soundtrack of Aamir Khan’s forthcoming film, GHAJINI, marks the return of maestro A.R. Rahman for the fifth time in 2008. Needless to say, he’s had himself a very prolific year. What is even more astounding are the towering heights of musical superiority that he has showcased and maintained throughout the year. Mentioning that A.R. Rahman is a class apart would be
an understatement.

In January we experienced the deliverance of one of Rahman’s most ethereal and epic soundtracks to date – Jodha-Akbar. Fast-forward to May, and we were caught off-guard by a diminutive project titled Ada…A Way of Life, which boasted of a playfully nostalgic Rahman. A couple days later, we were softly caressed by the youthfully poignant Jaane Tu…Ya Jaane Na. Continuing his remarkable trend of excellence, October witnessed the delectable sounds of Rahman smudged synergistically within today’s commercial genres. While each work distinctively showcased a wide-array of tones and styles, they all succeeded in preserving Rahman’s signature touch…”Vintage Rahman” as its come to be known.

However, the streak ends with Ghajini.

Guzarish opens with the soothing hums of Sonu Nigam, who features as guest vocalist. He sets things up for an extremely breezy composition. Reminiscent of a sluggish Euro dance mix, Rahman superimposes a fetching melody courtesy the vocals of Rahman’s newfound favorite, Javed Ali. Rahman spices the arrangements up with certain Arabic percussions/strings. On the
whole, he tends to stick with a uni-rhythmic composition. All in all, the song is appeasing for the first 4-5 exposures and will slowly begin to fade soon after.

Aye Bachchu is Rahman like we’ve hardly ever heard before! With metal influences, the song carries with it a high-level of attitude thanks to the use of the distortion and lead guitars that feature all-across this invigorating track. Rahman’s melody is a sneaky one. Initial reactions may be that the melody is too loud and over-active. However, with just a few more exposures it becomes highly engrossing. Suzanne D’Mello’s hyperactive vocals fit the piece flawlessly, while Joshi’s words pack just as much punch as the voice singing them. Verdict: Although far from the spectacular heights of A.R. Rahman, the
number is surprisingly attractive at face value.

Kaise Mujhe is Ghajini’s strongest offering, with a hauntingly poetic melody by Rahman and some bewitchingly romantic lyrics penned by Prasoon Joshi. In the backgrounds, Rahman sticks with arrangements that are highly percussion and drum-centric (reminiscent of the styles of Monty Sharma). He adequately limits the arrangements to place more importance on the composition’s physical presence, which is soulfully inhabited by Benny Dayal and Shreya Ghoshal. The pair renders a stunning duet. Rahman’s instrumental highlights, which include sitar, clean guitar, strings, oboe, and piano to name a few, serve as the aesthetic icing on this very ornate cake.

Behka introduces a lounge-esque flavor into Ghajini. Despite a valiant effort to stir up new musical emotions, Behka fails to hold your attention. The arrangements are your run-of-the-mill stuff with the horn and sax riffs doing little to class things up. Rahman’s melody has its moments, yet lacks the Rahmantic brilliance that we’ve come to love and admire. Vocalist Karthik
and lyricist Prasoon Joshi do justice to their roles. Verdict: Albeit a decent composition, Rahman is unsuccessful in scratching beneath the surface to inject his trademark ingenuity.

The mediocrity continues with Latoo. Rahman provides us with another depthless composition that’s all show and no go. Lined with pounding beats and acoustic dance styles, Rahman provides little space for creative interjection, placing all the more emphasis on melodic value. Unfortunately, the melodic riffs are unsustainable in their attempts to continually earn your
attention. Not to mention the endless chorus lines, which begin to grind on your nerves. That being said, Shreya Ghoshal is spectacular with her performance, pouring just the right amount of electricity into her rendition. Verdict: Should make for a nice show on screen…nothing more.

The soundtrack closes with the instrumental reprisal of Kaise Mujhe, the best track on the lot (and obviously Rahman feels the same way since he’s chosen to reprise it). Although the arrangements remain idle and unchanged, the piano layered acoustics and flute do a ravishing job in expressing even the slightest of nuances in Rahman’s masterful melody. I only wish
we were blessed to hear more of vintage Rahman in the rest of Ghajini.

With only one truly soul-stirring composition (Kaise Mujhe), it is safe to say that Ghajini derails Rahman’s excellent record in 2008. Despite a superficially appeasing album, Rahman is incapable of delving deeper into his sound to expose the soul…the beauty…the poetry that is his music. The mysterious X factor that has made Rahman a living legend has surreptitiously vanished amidst the thumping harmonies and brisk melodies of Ghajini. We can only wait until it returns to once again ravish us…sooth us…bless us…

Ghajini Lyrics
Download Ghajini MP3 Songs

The film is a romantic action thriller that explores the life of a rich businessman who suffers from anterograde amnesia following a violent encounter. With the aid of Polaroid Instant camera images and permanent tattoos on his torso, the businessman tries to avenge the murder of his vivacious model girlfriend, Kalpana, who was killed shortly before he was also attacked leading to his diagnosis of amnesia.The character of Aamir Khan will also feature in a 3-D game titled Ghajini:the game,which is based on the same movie.

Aamir Khan as Sanjay Singhania. Sanjay Singhania is a rich business man; the owner of a mobile phone service provider company. Sanjay falls in love with Kalpana, who later is murdered. In the same incident, Sanjay develops amnesia following a firm blow to his head by an iron rod. After undergoing rehabilitation, Sanjay Singhania becomes obsessed with avenging the murder of his girlfriend and to combat his disability, he has tattoos spread over his torso to help him remember what his intentions are.

Asin Thottumkal as Kalpana. Kalpana is a young, bubbly and vivacious girl who falls in love with Sanjay Singhania. A model in televison advertisements by profession, Kalpana gains publicity by proclaiming herself to be the girlfriend of the successful entrepreneur, Sanjay Singhania. Sanjay disguises himself as Sachin and relates to her, and Kalpana, unknowing that Sachin is
indeed Sanjay, falls in love with him.she helps others. Kalpana, showcased as a kind-hearted person, becomes involved with Ghajini and his henchmen after foiling their plot to sell girls into prostitution . Kalpana is killed in front of Sanjay by Ghajini, and subsequently so creating the theme of avengement, which forms the crux of the plot.

Jiah Khan as Sunita. Sunita played a curious medical college student, who even though not given permission tries to study the case of Sanjay Singhania and his amnesiac problem. She appears throughout the film as she attempts to unravel Sanjay’s mysteries and past life and goes places to find more information about the psychiatric patient she wants to meet. Despite initial friction between Sanjay and herself, she then helps Sanjay overcome Ghajini.

Pradeep Rawat as Ghajini. Ghajini plays the main antagonist who brutally murders Kalpana for insulting him and ruining his plans.He played Deva in Lagaan(2001)in which he is one of the integral team members. He also played Ashwatthama in B R Chopra’s TV serial Mahabharat.

Riyaz Khan as Fawaz. Fawwaz plays the supporting role of a police inspector who investigates the murders by Sanjay Singhania. He also learns about some of Sanjay’s past life.

Ghajini Lyrics
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